Guild of Writers

Admittedly I’ve been a bit too ambitious when it comes to my Age projects. I had dreams of making my own expansion pack for Uru and so the projects I grouped together for the Beneath storyline ended up at around 9 Ages.

Thus far I have completed 4 of those Ages and the others are in various states of development. Central to this storyline was an Age called Maho which was Written by a character who goes by the name of ‘Lore’.

Read More…

I’ve been meaning to pen a series of articles regarding content development for some time. The goal of these articles is to explain in part the process I go through myself in content development as well as offer advice for your own content.

Before I get started I would like to ask you a question. Why do you want to build content for Uru?

It is a relatively simple question but it gives one an understanding of how far they are prepared to go. Are you building content just for a lark? Then you may not be interested in long term skill development. Are you building content because you want to contribute to Uru? Well then that opens up possibilities. From where we could ask do you want to to build something for people to enjoy? Or perhaps do you want to build something that will one day be on par with Cyan content? Simply put the more serious a content builder is about their content the more likely they would be interested in developing their skills and pushing their talents further.

This image you see here, is of a D’ni area I built called Fehnir’s House.

You may be familiar with the location already, you may not be. This is what I am building at the moment of writing this article, indeed this image is of a build of the location I have not released yet. Looks nice right? But what if I told you that the first ever Age I built and exported was two bowl shaped masses made of a UV sphere that looks like a giant bra (not the intention). Furthermore it had no lighting and was not texture mapped correctly.
A considerable amount of my early models were similar in how, quite frankly, terrible they looked. But at the start of this I asked myself this question, why do I want to build content for Uru?

My answer was this…
I was introduced to Myst back in 1998, it has been a huge influence in my life and continues to be. In 1998 I was just starting at a school for Art and Design and my artwork was unsurprisingly inspired by Myst. I built worlds up through my paintings drawing on influences like Roger Dean to flesh them out. So when content building for Uru developed it was the perfect venture for my interests. I wanted to actually build a world where people could walk through it, I wanted to share in the feeling Cyan set down of actually feeling like you were there. In order to do this I knew I needed to keep practicing and build content that was as good as Cyans.

I have come a long way since, and I still have a lot to learn. Is my content as good as Cyans? I guess it really depends who you ask there are some that would say it’s up there. Do I think my content is as good as Cyans? No, I do not. But one day it will be if I keep working at it.

Now I am lucky, I come from a background in art and design. The things I learned at college and university I apply to my Ages, even basic things like colour theory. But I learned these skills over time, thus it is possible for others to learn these skills.

The articles will be a series that will look at different things like initial age ideas, lighting, texturing/texture making, and other aspects. I hope to give interested parties a glimpse into the kind of processes I go through in the development of my own content in the hopes that perhaps you can take ideas away from it that will benefit you.

So a little more free time has opened up lately which has allowed me to continue working on my various Age projects.

So I figured I’d post an update of sorts about what is going on with the 3 projects I am currently focusing on.

Fahets

Fahets has been completely overhauled at this point, there are surviving elements (Norapods, Rusteart plants) but a lot of new stuff too.

• Age Size – The Age is probably 4 times bigger than it used to be at this point. It is now more open instead of an enclosed basin location.
• Textures – Most textures have been updated or switched out for better versions, most obvious of these is the rock textures which now have more depth to them.
• Wildlife – More wildlife has been added to give the Age more depth.
• Sound/Music – No music but ambient sounds have been added to again add more depth. Main complaint about Fahets (after the “it’s too small” was about lack of sound).
• Interaction – Still working on this. Interaction is small in this Age because it simply doesn’t require a lot. It isn’t a puzzle location. But there are a few things to interact with aside from Journals and Linking Books. Unfortunately having interactive things added is difficult as animation triggers seem to be bugged in my version of PYPRP and no one can figure out why.

Kehrahn

For those who aren’t aware of the concept of Kehrahn. The Age started as a birthday present for my wife. Each year on her birthday I add something to the Age or expand the Age. She has given me permission to release it publicly but there there are some things I need to sort out before doing so.

• Models – Looking to update some of the models like the trees so they are better suited for the expansion of the area.
• Textures – Some texture updates have been made to various items in a bid to improve the look. These are mostly minimal though as the focus is on improving the models.
• Animation – The animation of the fishes is very basic with a lot of room to improve.
• Expansion – The Age has already been expanded but the expanded area is not working for me. As a result it will be completely overhauled to encompass the new concepts drawn up for beyond the lake area.

Fehnir’s House

An interim update for Fehnir’s place a 1.5 if you will. With the next main update (2.0 lets say) including the Linking Books for Ahryahn and Lehns.

• Textures – Some updates to textures mainly the walls of the room.
• Models – Made changes to the models that make up the room structure to allow for better lighting and shows (using vertex painting more than secondary meshes with lightmaps) as well as incorporating the changes to the stairs for better collision.
• Collision – The stairs were a mess with the collision being the wrong angle. This has now been rectified but has resulted in a slight change in geometry for the room (expansion and shortening of certain walls).
• Camera Regions – The camera region bug for the Book podium area for the Ahryahn Book has now been fixed and update which should help with removing the clipping of the ceiling in that area.
• Story Changes – Slight update to the story in that area and the inclusion of Sophie’s journal giving more story for the Third Path’s history has been added.

I have no idea when these updates will actually see the light of day. Fahets will most likely be first because work is almost finished there. Fehnir will likely be out before Kehrahn as Kehrahn has a lot of work to do on it.

Nexus Book: Nexus book placed in each Guild Pub.

Seating: Aside from the few seats surrounding the Guild Pubs, Kahlo Tavern style tables and chairs should be added to give more people places to sit and allow for a cozier more conversational setting to the location:

As you can see I have introduced a few concepts.
Read More…

So big changes to the Login GUI, basically the entire thing has been made darker, sleeker and minimal, without overloading with new extra features. This will basically allow for old players to get to their characters quickly and for new players to get through the GUI with relative ease.
Read More…

Nexus Book: Needs to be added somewhere, perhaps in an alcove of sorts on one of the viewers stands.

Arena: The arena needs to have walkways leading from the playing field to the viewer stands, to literally make life easier for viewers instead of having to line up blocks to jump over to them.
Read More…

Instancing is reduced to two forms, public and private.

The Cleft (including descent), D’ni Ae’gura (Roof tops, Baron’s office, Kadish Gallery, Watchers Sanctuary, Guild Pubs and The Great Zero) and D’ni City Proper (Ashem’en, Kirel, Neighbourhoods) locations would all be public instances.
Read More…

It was the location that Ti’ana started a new life after the fall of D’ni, it was the birthplace and childhood home of Atrus, it was where one of the 2 openings to the tunnels leading to the D’ni cavern was situated.

It made sense for the players to start there, feeling “the call” to the middle of the desert to begin on a mysterious journey, picking up their Relto book and meeting Jeff Zandi. It all aided the beginnings set up by the DRC site and by Zandi’s ARG games, it all aided to the mystery that Uru ABM/Live was.
Read More…